608 lines
23 KiB
Plaintext
608 lines
23 KiB
Plaintext
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EXT. BRIDGE - DAY
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Once upon a time there live a young soldier name Martin
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who have enlisted in the royal army to fight a war.
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The war is long but victorious and when the King
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abandons the enemy 's territory and returns with his
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troops to the homeland, he leaves Martin to guard the
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only bridge on the river that separates the two
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nations.
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KING
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Stay on watch on the bridge ,
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the King orders.
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KING
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Do n't let any enemy soldier go
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by .
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Days and then months pass, and the soldier keep his
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watch on the bridge. He survives by asking the passers-
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by for food and, after two years, thinks that the
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authorities has probably forgets him.
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INT. CAPITAL - DAY
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He then heads towards the capital, where he would ask
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the King for all his back pay. His pockets are empty
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and his only possessions are a pipe, a bit of tobacco
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and his sword.
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EXT. VALLEY , STREAM - LATER
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A couple of days later he arrives in a valley where a
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stream crosses his path.
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EXT. STREAM - DAY
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A big man with hands as big as hams, large shoulders
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and a bull 's neck is sitting by the stream. The man,
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who has a strangely soft and kind voice, asks him:
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MAN
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Would PP15 you like to cross the
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stream ?
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MAHESH
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Okkey. Lets go.
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<<<<<<< HEAD
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EXT. STREAM , FOREST - DAY
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The man effortlessly uproots a huge tree and lays it
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across the stream. Martin offers the man some of his
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tobacco in return and when he finds out that the man
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has nothing to do, Martin asks him to come along.
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MARTIN
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PP20 You 'll see all the things
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PP21 we can do together !
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EXT. HILL , AWAY - DAY
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They have just begin walking away when they meet a
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hunter who is aiming his rifle at a faraway hill.
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HUNTER
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What are PP25 you aiming at ?
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HUNTER
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Do PP26 you see that cobweb on
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that tree on top of the hill ?
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the hunter asks.
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HUNTER
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I want to get the spider !
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EXT. HILL - DAY
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The hunter shot and when the three men get to the top
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of the hill they find a big hole in the middle of the
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cobweb and no more spider. Martin has never seen anyone
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shoot that well and he asks the hunter to join them.
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MARTIN
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Come with PP30 us and PP31 you
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'll be in luck !
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INT. WINDMILL - DAY
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The three men walk and walk until they arrive at a
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windmill.
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EXT. MILL - DAY
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The wheel of the mill is turning even though there is
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no wind.
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=======
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Both enter the restaurant.
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CUT TO:
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INT. RESTAURANT - DAY
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Mahesh Bhatt and Alia Bhatt enter the restaurant. They walk
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towards a vacant table and sit down opposite each other.
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Waiter approaches them and forwards the menu to Alia.
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WAITER
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What will you have, madam?
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MAHESH
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(hurriedly)
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Two cups of coffee, two sandwiches. Can
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you get it quickly?
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WAITER
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Yes Sir.
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Ranveer calls the waiter by a hand gesture.
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RANVEER
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We came first, our order should come
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first.
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WAITER
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Sir, I’ll bring whichever is prepared
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first.
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RANVEER
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No! We came first, our order has to come
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first. Madam’s mother is waiting.
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Waiter departs towards the Kitchen.
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CUT TO:
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INT. KITCHEN - DAY
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Cook gestures towards a tray with coffee and sandwiches, Waiter
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picks up the tray.
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WAITER
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(to cook)
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What about dinner and parcel?
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COOK
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That will take 5 minutes more.
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CUT TO:
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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INT. RESTAURANT - LITTLE LATER
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Waiter, with tray in hand, walks towards Alia’s table.
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Ranveer stands up and blocks waiter’s way.
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RANVEER
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We came first. Our order must come first!
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Deepika also stands up and walks towards Ranveer.
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DEEPIKA
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Honey, let it be. Their order is small.
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RANVEER
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Whoever comes first, gets serviced first.
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Be it a restaurant or an airport. Someone
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with a handbag must also wait for someone
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with 6 luggage, ahead in line.
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Alia stands up and approaches the waiter.
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ALIA
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(takes the tray from Waiters hands)
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People with just handbags have an
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exclusive line.
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>>>>>>> 72bb3e0521c22a5283f038ccf15f442f533a93ca
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EXT. FOREST , ROAD - DAY
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The men are puzzled but further up the road they find a
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fat man sitting on a tree stump.
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INT. MILL - DAY
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The man is blowing through one of his nostrils in the
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mill 's direction. The fat man explains to the three
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amazed fellow travellers that his strength is such that
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he could sneeze up a hurricane. The soldier convinces
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him to follow them.
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EXT. CITY - DAY
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As they approach the city, they are approached by a man
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who hop about with his legs tie together.
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MEN
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Who tied PP42 you up ?
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MAN
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I did PP44 it myself ,
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the man, who is very young and very thin, answers.
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MAN
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If I untied myself I would run
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as fast as the wind and would
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not enjoy the sights .
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And so it is that even this character, nicknames
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Fastfoot by the others, joins the group.
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But the surprises of that extraordinary day are far
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from over.
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EXT. FOREST - DAY
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A little man with a round face sits under a tree. He
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holds his hat over his left ear.
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MAN
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If I straighten my hat ,
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he explains.
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EVERYBODY
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I will freeze everything around
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me .
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Naturally, everybody takes his word for it and the
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stranger is asked to join the group.
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EXT. CITY - DAY
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The bizarre company finally arrives at the city.
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A public notice is hung outside the city walls. The
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princess announces that whoever would beat her in a
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race could marry her.
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INT. PALACE - MORNING
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The soldier dusts his uniform, cleans himself up after
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the long trip and runs to the palace. He wants to
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challenge the princess but says that one of his
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servants would run in his place. The princess accepts
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his challenge. The morning after, at the starting line,
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Fastfoot unties his legs and takes off like a rocket.
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EXT. STREAM - DAY
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Each one of the contestants have a jug that have to be
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filled at a nearby stream and bring back full to the
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finish line.
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INT. AWAY - DAY
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On his way back, Fastfoot stops to pick a flower and
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after carefully setting the jug on the ground and
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realizing that the princess is still far away, he
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decides to lie down and rest for a while.
|
|||
|
Unfortunately, he falls asleep.
|
|||
|
|
|||
|
INT. AWAY - LATER
|
|||
|
|
|||
|
Later on, when the princess catches up with him and
|
|||
|
sees that he has fallen asleep, she kicks down his jug
|
|||
|
and runs away. She is sure of her victory.
|
|||
|
|
|||
|
INT. AWAY - DAY
|
|||
|
|
|||
|
From far away the sharp sighted hunter shot and hit a
|
|||
|
spot near Fastfoot 's ear. Fastfoot wakes up all of a
|
|||
|
sudden and sees the princess approaching the finish
|
|||
|
line.
|
|||
|
|
|||
|
EXT. STREAM - DAY
|
|||
|
|
|||
|
He quickly runs back to the stream, fills the jug and
|
|||
|
reaches the finish line as fast as lightning. The King
|
|||
|
is furious. He would never let his daughter marry a
|
|||
|
miserable soldier.
|
|||
|
|
|||
|
EXT. PALACE - DAY
|
|||
|
|
|||
|
He invites the unsuspecting Martin to the palace.
|
|||
|
Martin tells him about his two years watching over the
|
|||
|
river, which makes the King ever angrier.
|
|||
|
|
|||
|
INT. ROOM , DINING ROOM - DAY
|
|||
|
|
|||
|
The King, however, pretends to feel guilty and invites
|
|||
|
the soldier and his friends to a banquet in a strange
|
|||
|
dining room.
|
|||
|
|
|||
|
In fact the dining room is lined with iron walls and is
|
|||
|
built over a huge furnace.
|
|||
|
|
|||
|
The King orders his men to seal the dining room 's door
|
|||
|
and to light the furnace. Then he proceeds to watch the
|
|||
|
slow death of the group through an unbreakable glass.
|
|||
|
|
|||
|
INT. FLOOR , ROOM - DAY
|
|||
|
|
|||
|
The six men begin eating but suddenly feel the floor
|
|||
|
grow very hot, while the room 's temperature rapidly
|
|||
|
increases.
|
|||
|
|
|||
|
But Martin does not lose his head. He straightens the
|
|||
|
hat of the round faces little man and pretty soon they
|
|||
|
are all shivering from the cold. The King uselessly
|
|||
|
urges his men to throw more and more wood in the
|
|||
|
furnace, but the soldier and his friends has found a
|
|||
|
remedy to the King 's wickedness. No one has ever comes
|
|||
|
out of this torture chamber alive, but this time the
|
|||
|
King has to accept defeat, even though he is still
|
|||
|
determines not to let his daughter go. He offers the
|
|||
|
soldier a large sum of money as long as he gives up the
|
|||
|
wedding.
|
|||
|
|
|||
|
KING
|
|||
|
I will fill PP87 you a bag of
|
|||
|
gold and other riches if PP88
|
|||
|
you forget the wedding .
|
|||
|
|
|||
|
MARTIN
|
|||
|
That 's fine with me ,
|
|||
|
|
|||
|
|
|||
|
|
|||
|
MARTIN
|
|||
|
(angrily says)
|
|||
|
and I accept PP89 your offer but
|
|||
|
as long as I pick the bag and
|
|||
|
the man who will carry PP90 it
|
|||
|
away .
|
|||
|
|
|||
|
The poor King is unaware of the strength of one of the
|
|||
|
six friends. When he begins filling the sack, all of
|
|||
|
his gold is not enough to fill it. Martin and his
|
|||
|
friends are rich. When they leave court, the King have
|
|||
|
become very poor.
|
|||
|
|
|||
|
The monarch loses his temper and realizes the soldier
|
|||
|
has fooled him. He calls the army commander and orders
|
|||
|
two battalions to chase Martin.
|
|||
|
|
|||
|
BATTALIONS
|
|||
|
Bring PP99 them back dead or
|
|||
|
alive and at all costs !
|
|||
|
|
|||
|
INT. FLOOR , ROOM - LATER
|
|||
|
|
|||
|
Later on, the soldiers catch up with the six young men
|
|||
|
and surround them.
|
|||
|
|
|||
|
SOLDIERS
|
|||
|
Give PP101 us back the gold and
|
|||
|
surrender ,
|
|||
|
|
|||
|
they demand.
|
|||
|
|
|||
|
INT. AWAY - DAY
|
|||
|
|
|||
|
But the fattest of the men begin blowing so hard that
|
|||
|
horses and soldiers are carried away.
|
|||
|
|
|||
|
In just a few minutes the wound soldiers are scattered
|
|||
|
all over the plain and the battalions are no longer a
|
|||
|
threat to the six extraordinary friends who continue
|
|||
|
their journey.
|
|||
|
|
|||
|
Then they divide the gold and jewels in equal parts and
|
|||
|
each one of them go his own separate way.
|
|||
|
|
|||
|
EXT. BRIDGE - DAY
|
|||
|
|
|||
|
Martin crosses the bridge where he has been on watch
|
|||
|
for so long without any reward and never turned back
|
|||
|
again.
|
|||
|
|